Khrux

My overly ambitious Minecraft mod I long since gave up with was basically a pollution and yield mod to incentiveise a flow or early manual work > midgame automation > lategame manual work for the best resources.

I don’t really think there’s ever a pass to staring at anyone’s chest except a partner or a very specific friendship energy.

I mean as a first language speaker, it is.

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I don’t mind it being deep, just don’t fill it with your actions and deeds. A big part of fun for TTRPGs is ‘play away from the table’, which for the players is typically making art, backstory or builds for current or future characters. Most long backstories I read don’t invalidate a level 1 character but mostly explore values, just as my real life story could be as deep as I choose to write it and I’d not even have the skills to be level 1.

My suggestion is:

• Get people together for a session 0. Only pitch the campaign and tone then, if not construct it collaboratively too.

• Hand out pieces of paper or card face down, have each player take 1, and ensure there is one between each player. These cards say Love, ally, rival, or enemy.

• Explain that players should make an NPC for their backstory that matches this word, and should make a shared NPC with the person next to them based on the card between them.

• Now let them take another card of their choice. They can either make another NPC with this, or use it to make the relationship to one of their shared NPCs asymmetrical.

• They can design their NPCs and backstory now or before session 1, up to them.

Finally, explore what the players can choose to do to contribute between sessions to the game. If they don’t do anything, that’s fine, but they should have a way to meaningful contribute to something. Typically I encourage world building and cultural lore, such as unique foods and why that has a thematic resonance.

This is hard to structure, I had a player who was a former forever DM, who played a knowledgeable librarian in a former monster hunter guild. I asked her to make some monster statblocks, as she’d know them inside and out in character.

My advice to players:

Make your backstory show that your character has done no huge deeds yet, and most importantly, have everything that matters in it revolve around NPCs. Not just is this the best drama, but NPCs can move, join factions, be redeemed, betray you, die and everything else.

• That cost halfling village you design that perfectly exemplifies your character, but will never be seen in this urban campaign halfway across the continent? Make the most important part of it the mayor’s daughter who happens to be your childhood friend.

• The strange necklace that made you stronger but more angry when you wore it? The final time you saw it was when your brother stormed out of your co-owned business after a bitter argument.

• The lord who helped you smuggle your liquor into the city? That’s the same lord that wrongfully imprisoned the player character next to you.

One of my favourite scenes from a campaign came when a player, after spending a session getting the chance to meet with a resistance leader, turned to the others and said “this is my ex-wife”. That whole dynamic was interesting too, as both had come from a warrior culture and initially parted due to neither being the “strong warrior”, now both trying to fight against that same faction a decade later.

My all time favourite NPC was a talented tailor in an urban campaign, who owed one player character a favour and was generally fond of them all. Nothing like the party having a go to guy for fancy or silly outfit amendments.

People disagree because it’s still an abstraction of camo. Wearing it in the first place came from people fawning over militarism.

I actually think it can work with a queer look in one of two ways, so you are likely fine: Either it’s effectively teasing the pro authoritarian militarism camo types, or it’s a radical anarchy armed rebel look, which without praxis is really just the former look again. Either way these are fine.

Another reason maybe you’ve been downvoted is that people loathe the deep abstraction of modern, or rather postmoderm society. Camo was made for soldiers > Camo was worn by patriotic civilians simulating the soldier aesthetic > particularly under the Bush administration, it became less a symbol of soldiers, and more a symbol of patriots. Patriotism is nationalism.

Today when most of us camo in the military cosplaying way, we think ‘nationalist’. When we see a person in a little bit of camo, perhaps just some came shorts and a regular t-shirt, we think either ‘nationalist’, ‘okay with nationalism’ or ‘ignorant of nationalism’.

So when most people see someone in a blended queer and camo look, they probably assume one of three things: ‘ignorant of nationalism’, ‘critical of nationalism in a rebellious manner’ or ‘pro nationalist queer’. Of course one of these is fine, but one is very bad.

I work a lot of fancy events as a caterer and often have a drink behind the scenes, but often these events are in random offices with no bar support, resulting in us drinking strange concoctions.

Spanish coke is popular, which is just red wine and coke. This is probably second only to white wine spritzers. Separately in day events, we’ve found putting espresso into coke over ice is surprisingly okay, I wouldn’t say it’s better than the sum of its parts, but probably on par with normal coke.

So I had the wise idea of shaking espresso, coke, and red wine together, just to see what it tasted like. I’d truly give it a 5/10. Which isn’t bad if not for the fact that I’d give each ingredient alone a 6/10 or better.

Purple: Magic??

Green: Life/death??

Red: Life/fire??

Blue: Magic/cold??

Honestly the only colour I don’t feel uncertain about is orange, that’s always bad.

Also on the topic of health potions, a great piece of advice I once heard was that if your players are in a foreign land, remove health potions. Give them health biscuits and watch them reconcile with God.

This guy pops up everywhere online with screenshots of his silly tweets, and every time I think it’s Edward Snowden.

It takes me to the end of tweet to realise that’s a crazy post for him, and go back and read his name properly.

I’m the opposite, I want romance, character death, low magic, a later era (1700s theming more than 800s), safety tools out the wazoo and in-game bigotry that my party can rebel against.

Gal Godot.

I’m very impressed with Lemmy here for not doing what Reddit would have and naming a long list of women. That being said, if I didn’t feel a moral obligation to boycott Gal Godot, she is so talentless that she hasn’t made anyone else’s list because it’s such a low hanging fruit.

She’s very typecast, but she can act. If she actually got a role where she could show strong emotion, I think she could rise to it well. She’s good in Challengers and great in Euphoria.

He’s the only actor I can think of I actively boycott other than Gal Godot. Aside from his violent racism and American nationalism which is all well documented, I just absolutely loathe the type of character he likes to play; the macho snarky asshole who feels like he got kicked out of basic training and makes being a veteran his whole personality.

There’s few archetypes I hate more than the “former soldier who could kill a man, harbouring some deep unnerving instinct”, or the “American in a truck who loves the flag and is just a hard working guy”, and somehow he always plays and glamorises both, despite not actually being either.

This was my hometown’s team. It’s super strange having it put on the map, where basically everybody knows this story, and before then nothing at all.

It’s absolutely just a random investment in a potentially very lucrative industry. 21st century football is massively swayed by who can spend the most money, especially below the very top level where the money becomes too ridiculous. Wrexham had the oldest active ground in the UK and the ground itself is particularly goodnfkr the level of play. Wrexham had dropped from 3rd division to like 5th, near 6th when he bought it (I think). But Wrexham as a city isn’t small, it’s the largest population centre in North Wales, and before it gained city status in 2022, was a larger town than many of the cities near it. All it really needed to do well was investment, where it had the facilities to be tenfold more successful if anybody actually paid for it, it’s the same for probably a dozen other teams across the UK.

But the investment worked of course, and the team has done amazingly well since then. But don’t consider this anything but an investment where two celebrities used their image to aid it’s success.

He is very involved in the branding that results in his typecasting, so I have no pitty for it.

I agree, I think he could have pulled off the same persona written for both Bale and Patterson’s batmen. He’s also played a lot of assholes, and I’m not sure how much that just develops into a feeling that gets under your skin.

He wanted the weird image. He implied he was intending to start some sort of harem cult a few years back, which was really a hippie holiday for millionaire women in a very LA way. He absolutely played up his image as a self obsessed creep looking to be worshipped to sell this experience. I honestly feel everything kinda gross about how Jared Leto feels is marketing, although God knows why, as it must hurt his career.

I agree about Palestine, where there was a huge, disheartening cry from America in October - December 2023, when the general attitude was that this was all a terrorist attack, and not the beginning of a genocide. I am definitely wary of celebrities who made pro Israel statements then, but I feel many felt expected to, or were just grossly misinformed.

He does sort of just suck though. I feel the internet’s perception of his soured so fast in the 2020s, from beloved to loathed, and all he did was keep doing what he always does, just with a tiny amount more selling out, which was enough to snowball the hate.

The internet made him his darling and then turned on him pretty quickly, a similar thing to what most female stars face, such as Jennifer Lawrence hugely had to deal with in the 2010s. Not that I’m fond of the guy, but this his internet attitude stinks and I think has coloured his image since. However:

He’s had a really strange rise to fame. He was in Parks and Rec as the lovable goofball type, then the US army literally put him in Zero Dark Thirty (a film with unbelievable rewriting and military control) to be a recruiting tool, “Even Andy from Parks and Rec can Kill Bin Laden.” Even though he was put on the map by nationalist military propaganda, I don’t blame him for that.

He also attends a church (Zoe Church) which was modelled of an openly homophobic church (Hillsong), and founded by a former pastor of the homophobic church, although this church specifically has no open statement on LGBTQ+ people. This church and it’s pastor are absolutely suspiciously absent on this stance, to the point many assume it’s homophobic and transphobic but in LA and not wanting the backlash, particularly as the pastor has funded a Christian film, The heart of Man, that has an openly homophobic messages.

There was also a controversy with his wife and ex-wife that I think was more of a fuck up than anything else. He parted with his first wife who he’d been with since before his fame, not long after she had a baby that was born premature. He then married again and announced his gratitude for a healthy child. Obviously people didn’t like this, but I don’t think he meant it how it comes across. People also feel he showed disloyalty to his first wife in leaving her once famous, but even if fame did change him, that’s still a forgivable reason for parting ways with someone.

Although I don’t avoid movies with Pratt, I feel he wants to be funny like Robin Williams, and a hero like Harrison Ford, without the charm or wit to come close to either. What we’re left with is a bland, typecast actor who feels he’d abandon any tolerance and compassion in his image if it stopped being in vogue, but maybe we just want to see him fall from grace.

I feel that’s old enough not to be in the Tom Cruise produced issue area. In the 2000s, he was in War of the worlds, Collateral, The Last Samurai and even showed he still had range in Magnolia, Vanilla Sky and even Tropic Thunder. It wasn’t quite the same as the 90s where he was cast in a huge range of great roles, and it definitely became less common over the 00s.

I’d say from 2010 onwards, he’s stared in 0 films that don’t feel warped to be an advert for his specific style of masculinity. Even if one was good, Edge of Tomorrow, it’s still a Tom Cruise movie.