I once unleashed an ancient evil on the world in a failed attempt to open an unlocked door.
I once unleashed an ancient evil on the world in a failed attempt to open an unlocked door.
If it’s this dangerous there’s sure to be great loot at the end.
They’ve got accusations coming out the wazoo
This reminds me of a comic I saw a while ago where the BBEG was gloating that he could only be killed by the sword next to him that couldn’t be pulled from the stone. The barbarian picks up the BBEG and swings him at the sword.
I’m sure other people have brought up rich people taking a huge share of it already, but there’s also the sheer number of people determined to work in the arts. If there’s, say, ten billion dollars to go around, it sounds like a lot, but if it’s split between a couple of million artists it doesn’t go very far.
Also, she’s immune to all poisons.
How did she get that?
I once played a series of all-combat one shots, in which we could use the previous day to precast buffs. Every session we used that day to cast ceremony to make the party a polycule, until the DM banned it.
Does the symbol above the door intentionally look like a roulette wheel?
It’s not even psychology, it’s just the optimal strategy.
Individual constituencies are still two party, it’s just not necessarily always the same two.
Konsi’s the most powerful priestess in the temple (she’s actually more powerful than the High Priestess)
And that means she gets to deal with the difficult problems!
I love wizard pong, I’m stealing it.
Honestly a better strategy might be to just glaze everything I draw.
I doubt that will help, they can still scrape the site and then wait until whatever version of Glaze was applied is cracked.
You can check out any time you like, but you can never leave
At least two thirds of these can be solved by casting disintegrate.
Yes
It multiclasses well, two levels for agonising repelling blast, plus a subclass feature, and then you can pick any charisma caster.