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Cake day: June 11th, 2023

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  • Blade Runner was very much a product of its time (though Syd Mead’s visuals were outstanding).

    There was something floating in the late seventies / early eighties zeitgeist that would become the cyberpunk genre, and it sort of condensed in several spots simultaneously.

    William Gibson had just published Burning Chrome, and was finishing writing Neuromancer (which would be published in '84 and be considered a foundation of the genre).

    Ridley Scott and Syd Mead independently adapted a (very different from the film) book by Philip K. Dick into a film that looked and felt like it was set in Gibson’s Sprawl.

    In Japan, Kasuhiro Otomo had just begun publishing Akira.

    Frank Miller was probably in the process of writing and conceptualising Rōnin, which DC would start publishing in '83.

    Bruce Bethke had come up with the term cyberpunk in 1980, but that short story wouldn’t be published until '83.

    Over the next few years many other authors would create other works clearly set in the same genre, though at this point they probably had some influence from Gibson and Blade Runner and each other.

    Mike Pondsmith was drinking it all up and coming up with a role playing game with that title, to be published in '88.

    And, all over the eighties and nineties, the genre exploded, and was everywhere.



  • leftzero@lemmynsfw.comtocats@lemmy.worldSitting Pretty
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    5 days ago

    This Terry Pratchett (GNU) quote pretty much explains it (he uses the term “(Discworld) elves”, but given that Lords and Ladies is clearly based on A Midsummer’s Night Dream the quote equally applies to any kind of fae, and not necessarily, for instance, to Tolkien or DnD elves):

    Elves are wonderful. They provoke wonder.
    Elves are marvellous. They cause marvels.
    Elves are fantastic. They create fantasies.
    Elves are glamorous. They project glamour.
    Elves are enchanting. They weave enchantment.
    Elves are terrific. They beget terror.

    The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.

    No one ever said elves are nice. Elves are bad.



  • One letter for one sound is a lot less complicated ðan two letters representing two sounds.

    Most languages that use alphabets have digraphs representing different sounds than their composing letters. It’s trivial to understand that ‘th’ represents a different sound than ‘t’ or ‘h’.

    Most sane languages, on the other hand, don’t use the same letter or digraph to represent half a dozen different sounds (and when they do they use diacritic marks to distinguish them… which English only uses, without explanation, in borrowed words like fiancé or façade, which might actually be more confusing to native speakers than to ESL ones), or half a dozen letters and digraphs to represent the same sound.

    you clearly didn’t check my profile

    I’ve got enough of a headache from deciphering your posts, thank you

    asshats

    Pot, kettle…


  • They can be written now though

    Yeah…? Then tell me why in fuck’s name (or should it be facks?) ‘oo’ can represent six different sounds (food, book, door, blood, cooperation, brooch), for instance, and how to tell them apart, or why the letters ‘a’, ‘e’, ‘o’, ‘aa’, and ‘ea’ are used to represent the same exact sound in the words father, sergeant, body, bazaar, and heart…

    Let me assure you that this nonsense is many orders of magnitude more confusing to people learning English as a second language than the ‘th’ shit!