If we’re going fictional characters, then Havelock Vetinari from the Discworld novels.

Slow burn is great when you have strong character writing and world building. These are things of which Rogue One has virtually none.

Witty one liners are all well and good, but they don’t exactly make for a well paced or interesting story.

Star Wars goes from being a story about the power of the workers to a story about force royalty

The power of the workers? One of the leads from the first movie is a literal princess…

Removed by mod

“My daughter Murph. I keep gettin’ older. She stays the same age.”

Also, I love how he had a son who just wanted to be a farmer and that meant that Matthew McConaughey’s character was justified in being totally emotionally disinterested in him, compared to his genius daughter. Seriously, at a certain point I think Nolan forgot he wrote this guy with two kids. His entire character was defined by his relationship with his daughter. Why even give him a son in the first place?

“quick call?”

“sure, I’ve got time for the two hour meeting this is going to be.”

Don’t Bother Reading

“I guess this is why real companies do regression testing.”

It’s an interesting idea, though, that one’s preference for a particular design or aesthetic, especially when that design or aesthetic is emblematic of a particular historical or cultural moment, is never wholly isolated to its visual or material components, but also innately tied to our memory and understanding of that moment. I personally don’t think you can extricate a particular aesthetic from the psychic background noise surrounding it. Our minds don’t work that way. It’s always forming these subconscious or unconscious connections, binding events and memory to abstract signifiers.

We don’t like the 90s aesthetic because it’s “better” or even attractive. I mean, nobody has wallpaper in their home with those pastel and neon triangles. Many of us like it because it reminds us of childhood, of not having responsibilities other than waking up early enough on Saturday to catch all your cartoons and of not complaining too much when you have to go visit your grandparents who can never remember your birthday and who always ask you how old you are this year, of finishing Super Mario on the SNES before your friend does so you can brag about being better at video games than him. It’s of a simpler time and place, because we were simpler. And it was, in retrospect, of an America briefly sandwiched between the end of the original “Forever War” that was the Cold War, and the beginning of the 20th Century’s new “Forever War,” that is the War on Terror.

On reddit, there’s a subreddit called r/lrcast, which is the dedicated subreddit for the Limited Resources podcast. The primary purpose of the subreddit, however, is not to discuss the podcast, but to discuss the “limited” format of Magic: the Gathering, which constitutes draft and sealed. It’s a very difficult, very expensive format of Magic to play and is a niche subsection of an already fairly niche hobby.

I’ve heard nothing but good things about HTMX

I’ve only ever heard anything “bad” about HTMX and it was here on Lemmy, actually. I ran into someone who was absolutely certain that HTMX was unsafe by design because it leveraged HTML over the wire and was therefore susceptible to HTML injection attacks, specifically by injecting malicious scripts that could be ran from domains you didn’t control. I tried explaining that proper utilization of access-control headers innately prevented this because they worked on the browser level and couldn’t be intercepted or interfered with by HTML injection by design, but he kept insisting it was unsafe while refusing to elaborate. He was very wrong, of course, but also very confident.

I do a lot of systems and backend programming and HTMX is the only way I can actually be productive with frontend work when I have to do it. It’s so simple and straightforward.

This is the only actual explanation I’ve found for why numpy leverages its own implementation of what is in most languages a primitive data type, or a derivative of an integer.

I think there’s a difference between “python guidelines encourage” something and “this is a common coding pattern.” Yes, you can use try/except for flow control, but there’s a lot of people, myself included, who try to use that style sparingly.

python guidelines

Do you have a specific PEP you’re referencing or is this one of those “I assume this must be the case because of how common using try/except statements for flow control are” kind of things?

I’ve heard similar from the worst first year CS students you could ever meet. People talk out their ass without the experience to back up their observations constantly. The indentation thing is a reasonable heuristic that states you are adding too much complexity at specific points in your code that suggests you should isolate core pieces of logic into discrete functions. And while that’s broadly reasonable, this often has the downside of you producing code that has a lot of very small, very specific functions that are only ever invoked by other very small, very specific functions. It doesn’t make your code easier to read or understand and it arguably leads to scenarios in which your code becomes very disorganized and needlessly opaque purely because you didn’t want additional indentation in order to meet some kind of arbitrary formatting guideline you set for yourself. This is something that happens in any language but some languages are more susceptible to it than others. PEP8’s line length limit is treated like biblical edict by your more insufferable python developers.

Yeah, but it’s still a Ship of Theseus problem. If you have a ship and replace every single board or plank with a different one, piece by piece, is it still the same ship or a completely different one, albeit an exact replica of the original. It’s important because of philosophical ideas around the existence of the soul and authenticity of the individual and a bunch of other thought-experimenty stuff.

You would have to functionally duplicate the exact structure of the brain or its consciousness while having the duplication mechanism destroy the thing it was reading at almost exactly the same time. And even then, that’s not really solving the issue.

You mean how he goes to see that play?